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I have been using this wire for almost two years now to make interconnect cables as the need arise in my studio. I keep 100 feet on hand, and various metal cable ends around at all times, because you never know when you might need some odd cable. Also, if you build a cable yourself, you know it is built right, and will last.
MIKE-3M, MIKE-3F, MPRP, MPHM, and MPHS work beautifully with this cable.
Typically the cables I have built with these parts are 50pF per foot, and 0.05 ohms per foot. This yields a more than adequate frequency response for audio.
The braided copper shield is of such poor quality that I had to remove it from the microphone and replace the complete cord.
Buyer beware if you are going to use this cable on a high impedance input circuit.
I wish this wire came in 3-cond.
It's pretty flexible, and the conductors and their insulation is ok.
only problem is the sheilding is pretty
piss-poor.
OK for unbalanced audio runs under normal circumstances UNDER say 10 feet or so.
Balanced (XLR) cables made with this can go further, in theory.
I am using this for 2 conductor with shield applications, like driving Air Pneumatic Solenoids. It is pretty solid and the braid is OK for shielding in this application. It would be the lowest quality that I would use for important audio cable.